Friday, December 13, 2019

The Truth About Your Dream Job

I first started getting into reading around the age of seven. A love of books grew to a fascination of stories, eventually leading to the first story I ever wrote at age nine. (It was really bad; we won’t talk about it.) From the moment I started writing, I got the idea in my head that I wanted to be a full-time author. The things that attracted me to this profession were as follows:
  1. It was fun.
  2. Everyone told me I was good at it.
  3. I wanted to live a mythical lifestyle in which I could sit at home in my pyjamas all day.
But very quickly, it became more than that; I wanted to write because I loved it. Writing became My Thing™. If I wasn't doing it, I was thinking about it--puzzling plot together in my head, and secretly scrawling details in the margins of my notes when the teacher wasn't looking. It was fun, and exciting, and some deep force inside of me was burning a passion for it in my gut. It was my safe space, my comfort zone, my everything. I fell head over heels in love with writing. And make no mistake, I still love writing.

But I don't always love writing.

I love writing in bursts and in phases, like a sparkler that burns my hand rather than an ember that'll keep me warm at night. I plow forward, inevitably lose momentum, and finally fizzle out to an abrupt halt. It's my fatal flaw. As much as I may try to find the ~perfect project~ that'll magically sustain my productivity, it just never happens.

I grew up believing that if I had a job I loved, it would never feel like work. But there’s an integral problem with pursuing a creative career: you start as a hobby, when the only motivation is fun and personal fullfillment. Once you add pressure--the pressure to succeed, the pressure to improve, the pressure to make money--it starts to lose its fun. And once you start trying to calculate project marketability, and even outright avoiding projects you deem to be unmarketable...well, there goes most of the fulfillment, too.

For a long time, I thought that the solution to my fatal flaw was to treat writing like a real job. If I gave myself deadlines, and approached my projects with discipline, maybe I'd be able to power thorugh to the other side--even if there was no paycheque waiting for me. But in doing so, I began to ignore my strongest medium for self-expression and creative freedom, instead seeing the craft exclusively as a skill set to be monetized. I started worrying that I wasn't being productive enough, or making the amount of progress I thought I should have achieved. I stopped allowing myself the chance to step back when it stopped being fun; instead, I pushed myself harder. This isn't even REAL work, I told myself. You love this, after all.

All the while, there was a tiny voice inside my head asking--if I can't even muster the motivation to do this now, when all expectations are my own and every creative decision is entirely mine, how could I possibly do this for the rest of my life? Is this what my dream job is supposed to look like?

Suddenly, writing was the scariest and hardest thing to do. I've wanted to be a writer since I was nine. For the majority of my life, I've had one goal: to get published. It's been my motivation, my driving force, the focus of every tattered journal and every daydream for over half of my life. I've dedicated my life to building these skills from the ground up. So when that driving force is questioned, when I start to wonder if this is really for me or really what I want to do--it's scary as hell.

So I stopped. I avoided it. It was easier to hide than to face the reality that I might not be the writer I thought I was. But y'know what?

I came back. I may have taken a little longer, maybe eased back in a little hesitantly. But I always come back. I can never stay away for very long.

The idea that you'll "never work a day in your life" is bullshit. Writing is work. Creativity is work. At the end of the day, it's still a job, and like any job, there will be as many good days as there are bad days. (If you're lucky, you'll get more of the good ones.) It’s the good days that remind me why I want to do this, why I keep showing up. It’s the satisfaction of stringing together that perfect sentence, the thrill of expressing my thoughts in ~JUST~ the right way. Just because I get tired, fed up, frustrated by the anarchic writing process, doesn’t mean I'm any less of a writer. Waking up and deciding that I’m not in the mood to write doesn’t make me any less of a writer. The bad days aren’t going to make me stop showing up.


I still want to be an author. I want to be an author because I believe in the power of stories and shared experiences; because I express myself better through words on paper than I ever could out loud; because I love the chaotic calm that comes with working alone in a coffee shop, surrounded by strangers doing their own things. I want to be an author because, for me, the good days are well worth all of the bad ones.

Some people like to say that “true” artists are entirely dedicated, perhaps borderline obsessed with their craft. Some people say that "true" writers wake up thinking about writing. Sometimes I fall into that category—sometimes. When the planets align during a full harvest moon on the equinox, yes, I wake up thinking about writing. But sometimes, I don't even think about being a writer. I wake up wishing that I didn’t have to get out of bed. I wake up eager to play Sims from sunup to sundown, or eager to watch whatever TV episode has dropped overnight. I wake up thinking about everything BUT writing, because starting a writing session is one of the hardest things in the world.

But still, I wake up knowing that I am a writer, regardless of how often I get to do it or how often I even want to do it. I wake up knowing that once I get started, more often than not, it'll get easier. I know I'm the same writer if I write one word or one thousand words or no words at all. 

And more importantly, I wake up knowing that writing is not my defining characteristic--it's just one tiny piece of the whole.


Until later,

- Justyne

Monday, August 5, 2019

MFM: Polaris


I cross my yard in the early morning air, pausing to wiggle my toes amidst sharp blades of grass and grainy clumps of dirt. I look up—instinctively, reflexively—searching or stories and magic twinkling against their dark backdrop, just barely out of reach. Polaris shines brighter than them all: the night’s lighthouse, guiding people home for eons.

The moon shines down in spotlights, tracking me as I spin in the grass below. I nearly slip from the dew on my makeshift dancefloor. Still, I spin faster, until the stars are streaks of silver above. Faster, until the swirling air feels like it could lift me off the ground. Faster, until I’m stumbling over my giggles and laughter and can’t spin any longer.

I close my eyes and imagine the big dipper tipping and showering me with stardust. I dance with fragments of the universe until they fade in the glowing embers of the sun. The warmth of dawn melts the cosmos to my skin, and I am one with the universe.

Monday, June 10, 2019

MFM: Sticks n Stones


I’ve fallen from bikes, from rollerblades, from ice skates, from shoes. I’ve been scraped and sprained and battered and bruised. I fear the sensation of falling, and crashing, and tumbling, and the aching that will inevitably follow.

But while I may fear the sticks and stones and broken bones, I don’t remember them. I don’t remember the pain of a tattoo needle until I’m already in the chair. I don’t remember the sting of pavement carving off skin until I’m already on the ground. I don’t remember the force of a lego piece until it is already underfoot. I forget these things, diminish these things, wince once at the pain and move on.

But someone called me annoying once, and I have believed it ever since.

And someone criticized my excitement once, and I have subdued myself ever since.

And someone listed all my flaws once, and I've had them branded in my brain ever since.

Sticks and stones may break my bones, but words are easier to memorize.

Friday, May 24, 2019

A Graduate FAQ

Let me paint you a picture: it's my final day of my undergrad career. My sleep-deprived ass is in the school library, running purely on the caffeine pumping through my bloodstream and the adrenaline of powering through 1200 words in four hours. I wrote an exam this morning, I have one more tiny assignment to do this afternoon, and I've just (miracously, with thirty minutes to spare), finished my take home exam. I save the document, close the program, and open up the web browser to submit the exam.

The file is gone.

I open every folder (every. folder.). I search the entire PC. I reopen Word to check the “Recently Opened” tab. Nothing.

Naturally, I ambush the circulation desk in a frenzy, limbs flying as I explain to the blinking clerks why my life is currently exploding before my very eyes. After ten harrowing minutes, the tech guy was called, and it was then I learned that Firefox has a top secret “temporary download folder” that is only accessible through the browser itself. (Firefox, please.) The document was submitted, I finished my last assignment, and then proceeded to go home and pass out for a little while.

But that was five weeks ago, and now it’s over. I’m officially* a University Graduate™. And as with any graduation, I’ve already fallen into the routine of answering the same sequence of questions over and over (and over) again. So in the interest of efficiency (and saving my sanity), I have compiled some of these questions into one location for everyone to peruse at their convenience.

(*pending my actual convocation on June 13th.)

How does it feel to be done?

In all honesty, I don't think it's entirely sunk in yet that I'm done, and it probably won't until fall rolls around and I'm not stuck in a classroom somewhere. (Or when November hits and the government starts taking its money back by force.)

What are you graduating with?

My five years of torture have earned me a Bachelor of Arts in English (with emphasis on Creative Writing) and a minor in Human Geography.

And what can you do with that?

Editor
Copywriter (ie: advertising)
Technical writer
Some kind of library job, although most require a whole other degree that I don't want to pay for.

What’s the minor good for?

¯\_(ツ)_/¯

Will you ever get a masters degree?

I'd be lying if I said I hadn't considered it. I learned a lot in my creative writing classes, and didn’t really get to dedicate as many credits to the craft as I would have liked. But let's cool our jets for like thirty seconds--I need a breather before I even THINK about jumping head first into another two years of mental breakdowns.

Student debt is also disgusting and I’m not really in the mood to double it.

Are you going to work for Disney again?

....maybe.

Are you published yet?

Hush.

So what's next?

I just...want a job. So somebody hire me. Please. P l e a s e.

In the meantime, I'll be here! Blogging away for anyone who cares to listen.


Until later,

- Justyne

Friday, February 8, 2019

Every Book I Read in 2018 (aka The Most Subjective Ranking Ever, with No Explanation)

I stopped doing book reviews for several reasons, but the biggest reason was time: I lacked the time both for the reviews themselves, and the time to actually read the number of books necessary to maintain any form of consistency.

So instead, for 2018, I kept an ongoing document of every book I read throughout the year and rated them in order from my most favourite to my least favourite. For the most part I rated them as I finished them, but I also went back and reordered them after reflecting on them further. I didn't really have any sort of system for rating these books--they're based mostly on how much I enjoyed them, because I find that my subjective enjoyment is the only real way to compare a poetry collection to a historical fiction to a microfiction collection to a YA rom-com to a--well, you get the idea.

For added fun, I also decided to colour code them! Purple is for pure leisure reading, green is for mandatory uni reading, and blue is for books that weren't assigned for uni, but that I read to fulfill some sort of class assignment.

We're starting from the bottom-up, with #23 being my least favourite and #1 being my absolute favourite. A poor ranking does not necessarily mean it was bad, but that other books were better.

(I mean, some of them were bad, but I'm not here to spill tea.)


23. Fox by Margaret Sweatman (1991)

22. All That She Can See by Carrie Hope Fletcher (2017)

21. Rosie Dunne (also published under the name Love, Rosie) by Cecilia Ahern (2005)

20. Girls Like Us by Gail Giles (2014)

19. How It Went Down by Kekla Magoon (2014)

18. Seen Reading by Julie Wilson (2012)

17. He Said, She Said by Kwame Alexander (2013)

16. Fly on the Wall by E. Lockhart (2006)

15. Waking in Time by Angie Stanton (2017)

14. Outlander by Diana Gabaldon (1991)

13. That Inevitable Victorian Thing by E.K. Johnston (2017)

12. The Wars by Timothy Findley (1977)

11. The Absolutely True Diary of a Part-Time Indian by Sherman Alexie (2007)

10. Story: Substance, Structure, Style, and the Principles of Screenwriting by Robert McKee (1997)

9. The Bloody Chamber and Other Stories by Angela Carter (1979)

8. A Million Worlds with You by Claudia Gray (2016)

7. Exit, Pursued by a Bear by E.K. Johnston (2016)

6. Year of Yes by Shonda Rhimes (2015)

5. Hamilton: The Revoltion by Lin-Manuel Miranda and Jeremy McCarter (2016)

4. Fan Art by Sarah Tregay (2014)

3. Ash by Malinda Lo (2009)

2. Anne of Green Gables by L.M. Montgomery (1908)

1. The Princess Saves Herselve in This One by Amanda Lovelace (2016)


Book reviews were fun for a while, but going forward I hope to focus on improving my Friday and Monday content. (Y'know, when school isn't beating me over the head with a flaming stick.)

Until later,

- Justyne




(I'm sorry I meant to post this a whole lot earlier.)

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