Review: Ten Thousand Skies Above You by Claudia Gray

Stop measuring yourself against us. It’s not the right scale. You have your own gifts, your own talents. Show the world everything you’re capable of, Marguerite. You don’t even see how amazing you are. - Claudia Gray, Ten Thousand Skies Above You

Look, another sequel! Read ahead at your own risk!

Guys. THIS BOOK. Do you remember my review for the first one? Do you remember how much I loved that one? This one was just as amazing, if not moreso. CLAUDIA. GIRL. YOU KNOW YOUR WAY AROUND A SEQUEL.

Literally everything I loved about the first book was present within these glorious pages. The well-placed flashbacks, the pacing, the Russiaverse. GUYS. I almost wanted to cry from the sheer joy and surprise of returning to the setting of my favourite arc from the first book. And, unlike the first book, the climax and ending caught me completely off guard. That's hard to do, guys, trust me. I ask a lot of "what if" questions.

Ten Thousand Skies Above You came out back in November. I bought it almost the day it came out, but for some reason that I can't even comprehend, I waited until just last month to read it. In retrospect, this was probably a good idea, because the idea of waiting until NEXT NOVEMBER for the conclusion seems absurd, and at this point, it's less than six months away. I JUST CAN'T WAIT THAT LONG, OKAY. I JUST CAN'T.

Probably my favourite part about this book--and about 75% of the reason I say my girl Claudia knows her way around a sequel--is how she took the themes of the first book and expanded on them so freaking well in this one. In A Thousand Pieces of You, Marguerite explored the concept of destiny, of being meant to be with someone over and over again in a hundred thousand lifetimes. She saw how similar she and her family and friends were across dimensions--how her parents were always drawn to science, her sister to adventure, herself to the visual arts. At the beginning of this book, she believed that a fundamental part of a person's soul remained the same over dimensions, that each Paul or Theo or Marguerite is the same person. Then she discovered that that's not really the case--each version of someone is their own person, with their own life, their own memories, their own feelings. They can't be held to par with a different version of them, because they're just not the same person.

Marguerite had her beliefs going into this new adventure, and with each dimension she visited, she found herself at odds with them. Things weren't as simple or as black-and-white as she thought or wanted them to be. And I just loved how Gray took this concept that seemed so obvious and crystal clear and showed that it really wasn't. It was extremely well done.

I also loved how she started to dive into the ethics of inter-dimensional travel. It's a fun thought, the idea of being able to jump into another dimension and live another life. But revisiting the Russiaverse allowed Marguerite to see the real consequences of her visits, of what these other versions of her go through both while she's borrowing their body and after she leaves. Is it really fair to use the body of another for your own purposes, even if they live a dimension away?

ANYWAY. Y'all can bet that I'll be buying the finale the second it comes out. (The title alone makes me want to cry because EVERYTHING ABOUT THIS SERIES IS WONDERFUL.) Finales are often hard to execute, especially when the rest of the series is as well done as this, but I have the utmost faith that Gray can pull it off. (CLAUDIA, YOU'RE MY GIRL. I BELIEVE.)

Five stars to you, Claudia Gray. Five hundred million stars, one for every world that a Marguerite lives on in.

Until later,

- Justyne